Tewas: What to Do When There is No Light at The End of The Tunnel

Tewas: What to Do When There is No Light at The End of The Tunnel
The actors in Tewas employ a single cage as their only prop, symbolising confinement and struggle throughout their performance.

*Photo credit: JDev Studios

HOW DOES ONE begin to tell the story of a victim of bullying? Empathy may allow us to glimpse the edges of their pain, but can we ever truly know its weight—the physical, mental, emotional and spiritual toll of being coerced, hurt and diminished by abuse, aggression or cruel words? How do you convey the dragging heaviness of desolation or the invisible bruises that mark the individual?

Yet, theatre and performance makers across the world have long turned to the stage as a platform to confront this darkness. Through movement, words and visuals, they embody the intangible, giving shape to the silenced voices of victims—the process of losing, of searching and of rebuilding one’s sense of self.

Read the full story

Sign up now for FREE to access all articles.

Subscribe
Already have an account? Sign in
Great! Next, complete checkout for full access to Penang Monthly.
Welcome back! You've successfully signed in.
You've successfully subscribed to Penang Monthly.
Success! Your account is fully activated, you now have access to all content.
Success! Your billing info has been updated.
Your billing was not updated.