Some visitors were a wee bit befuddled, flummoxed and bewildered.
They had trooped to photographer extraordinaire Ismail Hashim’s Unpack-Repack exhibition expecting a Retrospective of his wit and humour in his photo-“docucommentaries” on everyday life, the environment and politics – the stark contrasts, the ambiguous then-and-now telescopic format, and the mak-iloi2 telatah (idiosyncracies) of the people. You know, the usual panoply of hung photographs like taxidermised trophies, albeit some hand-tinted and with the iconic Ismail barbs and ribbings, for an inaudible chuckle or two.
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