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March 2026

Our latest issue explores ageing as renewal, inspired by Ooi Kee Beng’s “liberational ageing.” Stories include love rediscovered, digital confidence among seniors, caregiving, and ageing in Penang, alongside women’s underrepresentation in politics, Penang’s GBS innovation frontier, future-ready education, GTLF highlights, outdoor adventures—and more, reflecting how purpose, participation, and meaning can be cultivated at every stage of life.

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A publication of Penang Institute, Penang Monthly is the voice of Penang - an inspiring read for the curious Malaysian, featuring stories about the people, ideas, and issues shaping the state's well-being. Sign up for a free account to enjoy unlimited access to all our articles.
What Changed In 1996? A Personal History Of Kulim And Permatang Pauh

What Changed In 1996? A Personal History Of Kulim And Permatang Pauh

4 min read
Driving along the Butterworth–Kulim Expressway reveals two diverging paths: Kulim’s rise from jungle outpost to high-tech hub, and Permatang Pauh’s evolution from paddy fields into a vibrant university town—each shaped by the ambitions of the 1990s, yet closely intertwined in memory and change.
by Nurul Natasha Amir
Siniawan: A Defiant Town That Time Won’t Forget

Siniawan: A Defiant Town That Time Won’t Forget

6 min read
Tucked along the Sarawak River, Siniawan is a quiet heritage town of timber shophouses and layered histories—from gold rush sovereignty and anti-colonial resistance to near abandonment and community-led revival—offering a rare glimpse of Borneo’s past, still alive on its own terms.
by Liani MK
A Fully Engrossed Artist In Residence: He An Explores  Malaysian Culture

A Fully Engrossed Artist In Residence: He An Explores Malaysian Culture

5 min read
A Wind-Blown Fire Needs Little Effort by He An explores multicultural Malaysia through industrial materials, rituals, and local collaborations, blending contemporary art with Taoist and festival traditions to reflect identity, community, and the “in-between” spaces of culture.
by Pan Yi Chieh
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